![]() ![]() Both the 610 and the 1616 have Kensington security lock ports. The 1616 streams a pretty impressive 16 inputs and outputs, and a further eight microphone inputs and eight outputs can be added by linking a Behringer ADA8000 via ADAT. It’s almost twice the width but you have the option of choosing to use it as a portable device or attaching the rackmount brackets for permanent installation. This time the digital formats include S/PDIF (coaxial and optical), ADAT and S/MUX. ![]() Each input channel also has unbalanced inserts, so you can patch in compressors, equalizers, etc, to process the signals before they’re digitally converted and sent to the DAW. The 1616 is more or less identical to the 610 but the number of inputs is doubled to eight, with four mic amps on the front panel.
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